11/13/2022 0 Comments Ennodu paadungal tms![]() Good to hear that he recognized Maestro in his early years. ![]() ![]() It is indeed surprising that he picked MSV at the late end of his (MSV's) career, while he worked with KVM earlier. The lyricists he worked with were and are the best in the industry ever PattukOttai Kalyanasundaram, Kaviyarasar Kannadasan, Thanjai Ramaiah Doss, Maruthakasi and so on. Same way when it comes to music directors, he worked with Susarla Dakshinamurthi, T V Raju (Jayasimha, Todu Dongalu.), G Ramanathan (Madurai Veeran, Kaveri.), C N Pandurangan (Bhoologa Rambha.), Vedha (Anbu engE (murasoli maaran's story), Parthiban Kanavu.) K V Mahadevan (Raani Samyuktha, Parisu.), M S Vishwanathan (Grahapravesam, General Chakravarthi, Justice Gopinath.). He worked with all leading artists like Nadigar Thilam, MGR, NTR, ANR, SSR, Gemini Ganesan, Savithri, Banumathi and the list goes on. Just to give a glimpse of his profile, he started directing films way back in 50s. He has worked with wide range of actors, actresses, music directors, lyricists. When it comes to films I don't where to start. Apart from direction, he was even active in India's freedom movement and had close relationship with many leaders. Today we are going to hear about another stalwart in film industry Dasari Yoganand. ![]() I get to know so many film personalities, insights into their film career and life. More details about the director can be found here: Maathu Thappadha Maga was probably his last film as a director and Aakhari Poratam was probably his last film as an actor, surprisingly both the films were scored by Maestro which to me serves as a sublime tribute by Maestro to this wonderful actor and director. May be that's where he found Maestro too, I believe. During this period, G.K.Venkatesha and T G Lingappa were his regular music directors. He has a big history in film industry, acting many telugu and kannada films (along with ANR and NTR) before taking film direction from late 60s till late 70s. Peketi Sivaram was born in Andra Pradesh. Mareyada harushada sudina by P Susheela is a lilting ghazal composition, as usual, an often overlooked number by listeners. You can enjoy SPB and KJY versions and make comparison who was the best for our entire lifetime. What a rendition by SJ! Phew!! Then comes Baanu bhoomiya the original version of EthO ninaivugaL (agal vilakku). If this is iconic, what about the other three songs? HELOru kELOru yaarillaa illi by S Janaki, a terrific rock and jazz classic. It's one of the iconic creations of Maestro. Everlasting one in the hearts of music lovers. I love the visuals too which takes to some of the most romantic places on earth. The song which I sing often when I gather with some Kannada friends here. HoogaLa kampu maragaLa sompu ellu aa taaya nageyEĮntha soundarya noDu namma karunaaDa beeDu Hariyuva neeru hasurina pairu elleDe aa taaya siriyE ![]()
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